Jews Item
Men seldom make passes
At girls who wear bomb belts.
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If you were raised in or around a left-leaning intellectual ilieu, as I was back in Manhattan, then you were raised around The Nation magazine. For years my mother subscribed to what is plainly the American Left's flagship publication. It has been published continuously since 1865, outstripping in longevity Mother Jones (1976), Dissent (1954), and even the truly erudite The New Republic (1917). As David judges summarily, The Nation is "a left-wing propaganda mill whose efforts to promote socialism in America and abroad have everywhere failed." To my mother, however, a woman not actively engaged in politics but who in her psychic and temperamental way felt in excess, The Nation was a primary source for synthesizing current events and sympathizing with much of its sorrow and some of its socializing hope. During the years of my first formation it was, then, one of my primary sources as well.
I remember that floppy, gray rag arriving in the mail each week. This was before it caught up with 20th Century publishing standards, when (at the dawn of the 21st) it finally decided to go with a four-color cover. How I wormed my way through its articles, same as I did with the Village Voice, absorbing in chunks the latest received wisdom about, say, Ortega's Nicaragua or Jesse Jackson's Rainbow Coalition. Such soft piety left its mark: in the 1988 New York Democratic primary I cast my first ever presidential vote for Jesse Jackson. Later than year I went on to defy Democratic (and probably The Nation's) logic by writing in Jackson's name on the November ballot. Alreadyy I was showing signs - as former Nation-columnist Chris Hitchens would say - a young contrarian: a young contrarian among (and already contrary to) other contrarians. I'm still the contrarian I once was, if not more so.
Which brings us back to The Nation.
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If you know anything about The Nation, then you know the weekly, wee too witty rhymes penned by- quirky in-house bard, its left-wing limericist, its "deadline poet" Calvin Trillin.
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Typical Trillin:
Cheney's "Last Throes"
When rockets fly and battle smoke is thick,
It's good to hear from "Four Deferments Dick."
He's always sure. He knows what warfare is--
Enough to know it's not for him or his.
Insurgents somehow, though they're in the throes,
Kill more GIs-- but no one Cheney knows.
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Here are two recent impressions of the man (like Philip Roth minus the moxie, no?):
Calvin Trillin is not a physically imposing man. He is short, maybe 5’6” or 5’7”, with a slight build. But when he begins to speak, Trillin’s low monotone voice is transfixing. He rambles and reminisces and digresses freely, his speech broken by the words “uh” and “sort of.”
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You know, I read this and think Lenny Bruce would wipe his ass with Calvin Trillin. Even as The Nation, and every foul-mouthed comic, milk Bruce's misfit martyrdom to demonstrate how much they extol (i.e., the Left extols) "free speech" ("freedom," which the Left often conflates with "license") there's just no way Bruce would let himself be caught -- dead or alive -- with Calvin Trillin. No way. Not if I have my way, that is.
I think it's time to get in touch with and purge my "inner Trillin."So I pledge, Gentle Reader, for your consumption and amusement to start coming up with nifty "neoconservative" limericks. Hey, if you can't join 'em, beat 'em. And what better way than at their own game? Do I have the right stuff to be the War on Terror's "deadline poet"? With Jeff Goldstein at Protein Wisdom single-handedly redefining the post-9/11 haiku, maybe I can turn a trick with the limerick.
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The two-line ditty that started off this post is an homage to "News Item" by Dottie Parker (to whom JMK recently paid affectionate tribute). Like Trillin, Parker was an Smart Assimilated Jew who did well in New York magazine publishing. Like some SAJ's, though, she may have been too smart for her own good. For Judaism, perhaps, and in some ways even that of the reading public.
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More to come. Many thanks to all of JMK's amazing, amusing friends, friendly, main muses, and the Blogfather, who, in their own priceless ways, have made "Chillin', Not Trillin" -- and the entire Jeremayakovka project -- possible.